It's unadulterated and uncensored, and the language is almost comically coarse. The audio of the piece is clear, though – for three minutes, the film taps into the interaction between kids left to their own devices.
Visually, the piece is largely obscured the viewer is situated as a hidden observer and can see only bits and pieces of what's going on out in the street. Join us for part 3 then, and in the meantime check out our review of FL Studio 20 here.Big Dick Pussy is a short, voyeuristic look at the street where the filmmaker lived at the time of the filming the focus is on neighborhood pre-teens and teenagers playing football in the street.
Next time we’ll finish our simple tune and start going in depth with more FL Studio 20 features. As we show, moving the bass onto the same track as the beats makes no difference as each Pattern will play the same thing no matter where you put it on the Playlist. As a traditional DAW user, you might want to keep the beats on one ‘track’ and the bass on another, but you don’t have to. Now we have a bass and two beat parts we can start arranging and here it’s a case of dragging each Pattern onto the Playlist area. Again, you could simply use the step sequencer to fill notes in but a more flexible approach brings in the Piano Roll editor that allows you to record in notes either by drawing or playing them in. After perfecting our sounds and beats, we move onto adding a synth bass.
#Big l put it on midi how to#
It’s also very fast and easy to change the core sounds at your disposal, so we’ll quickly run through how to either replace a sound or edit the existing one with the many effects on offer in FL Studio 20. Many traditional DAW owners will be acutely aware that looping beats is the scourge of modern music production, but this pattern-based approach allows you to quickly and easily introduce some much-needed variation. It allows you to quickly build up a library of different patterns simply by duplicating existing ones and then editing them for some variation. The advantage of using Patterns is quickly realised when using the Clone option from FL Studio’s many features.
Open up FL Studio and you’ll be faced with an empty Pattern complete with four drum sounds, so we’ll launch straight into that and create a simple 4/4 drum pattern over four bars. You create complete tunes with this Pattern approach but, within it, the Piano Roll editor offers a familiar recording and editing environment for ‘traditional’ DAW users. Understanding just these two elements will give you that ‘Eureka’ moment, as you’ll realise that these are the core of the program. This time around we’re going to look at two of these areas – namely the Patterns and Piano Roll editor – in more depth. In Part 1 we introduced the five main areas within FL Studio – the Browser (for your samples, sounds, instruments, effects and so on) the Channel Rack (with Patterns for beats and notes) the Playlist (where the song arrangement comes together) the Piano Roll editor and finally the Mixer. We are assuming that you have used other DAWs before (although that is not essential) so the idea of these tutorials is to show you how FL Studio may do things differently – but still simply – compared to ways you might be used to in other DAWs.
#Big l put it on midi series#
We recently reviewed the latest version 20 of FL Studio and started this series of tutorials especially for newcomers to the software.